Dirty on Purpose are at once oddly familiar and distressingly hard to put a finger on. American Analog Set meets Modern English? Yo La Tengo meets Arab Strap? Or Belle & Sebastian meets Clan of Xymox (…I know, don’t ask)? Or is it just me? They are crisp and clean, their guitars and vocals soaring above the driving rhythms. So listen to “Mind Blindness.” If you like, then and only then download “Monument,” as it’s a miserly 80 kbps.
The Black Keys
The two-man jam might make you think of the White Stripes and the name doesn’t do anything to discourage the comparison. So you might as well just go with the roadhouse flow and enjoy some new and old from the duo with the reverb to shake your favorite parts and the quiet side to make you wanna kiss somebody sloppy.
Death From Above 1979
Death From Above (with the 1979 tagged on to appease disco-clash mongers DFA) churn out thick, intelligent crotch rock from a mere drum kit and bass guitar… aaaand with that I’ll have to end my blurb, ’cause anything I could say after “thick, intelligent crotch rock” would sound just plain lewd.
The Fiery Furnaces
You know what they say about the Fiery Furnaces: an MP3 is worth a thousand words. So rather than listen to me babble, just download and listen.
Inouk
A swirling mÈlange of sonically expansive country and shoegazing blues, or maybe just good-old roadhouse reverb. Whatever you want to call it, it’s music to these weary ears.
The Waxwings
Heavy on harmonies and trippy licks, The Waxwings pay more homage to British psych pop than to their Detroit garage rock forebears. Who cares, so long as it feels good, right?
Sonic Youth
The coolest. The greatest. The loudest. And how about that Kim Gordon?
Talkdemonic
Imagine DJ Shadow swearing off turntables and samplers and turning to live instruments. Talkdemonic’s Kevin O’Connor doesn’t work completely sample free, but he does play live drums over what sounds like proprietary guitar loops and sequencing. I’ll be damned if Thom Yorke’s vocals wouldn’t fit these tracks like a glove.
evening
Perhaps the fact that evening have been making music together since the mid-’90s is what makes their full-length debut sound so accomplished. Whatever it is, the massive, spiraling guitars and otherwise hook-laden discontent magically conjure that Radiohead-esque penchant for accessible experimentality without aping the Oxford lads.
Ulysses
To be fair, if we do one Apples’ side project, we’ve got to another, right? This time it’s Robert Schneider, going where no Brian Wilson has gone before, and that’s rock ‘n’ roll. Quite a change of direction, but this is probably what he sings in the shower.