First, a quick comparison. Tortoise meets The Cure (at least on this track). Now, the instructions. Step one: listen to “Connie.” Step two: stream a few more tracks off their myspace page. Step three: see them live. Finally, step four: be amazed that El Ten Eleven consists of two musicians, and they pull this stuff off live.
Pine Marten
Another offering from the California music collective The Ship, Pine Marten has a sparse and creepy sound that knocks around inside my head (not running into much, eh?) long after their songs end. For example, I tend to get lost in the five and a half minutes of “Hey Misty, What Do You Think?” and alternately think the song either just started or has been playing for an hour. I guess I kind of like that feeling.
Blanket Music
Hush honcho, and artist extraordinaire, Chad Crouch, thinks vocal comparisons to Stuart Murdoch (Belle & Sebastian) have worn thin. I hate to perpetuate the problem, but the similarities are quickly apparent. Reminds me as well of a not-so-cynical Stephen Malkmus. More important, however, is the wonderful, and varied, pop sounds he and fellow Portland pals put together in his basement. Blanket Music is a pop Sno Cone to which brightly colored flavors are added: jazz, country, bossanova, and funk. You’ll have to pick up their new album, Cultural Norms, to taste all the flavors.
Hood
Hood, well, they are simply one of the greatest. Hailing from Bristol, England, Hood have been putting out rural noise-pop (much like Flying Saucer Attack was rural psychedelia) since 1994’s epic Cabled Linear Traction. I say noise-pop ’cause they go from beautiful noise to pop and back again. Unfortunately for us, the only MP3 available from their brand new LP Outside Closer is at an unlistenable 48 kbps, so our selections cover an older range, from “Her Innocent Stock of Words,” one of my personal favorites from 1996’s Silent ’88, to softer fare like “Cross the Land.” Many more rare and miscellaneous MP3s are available at the sites listed below.
Blue Mountain
The words “country,” “rock,” and “Mississippi” evoke Blue Mountain in my ears and mind. A foundational band from the early days of the alt-country scene, Blue Mountain gave a needed soundtrack to Faulkner’s Yoknapatawpha County (they really were from Oxford, Miss.) while I was doing time in grad school. Check out “Riley and Spencer” here for a sample of their roots rock style, or their 1995 debut album Dog Days for a classic of the No Depression genre.
The Fatáles
Vaguely detached, vaguely nostalgic, vaguely wonderful space pop. It’s really hard to believe these guys are unsigned…maybe they’re not in it for the money, just on a personal crusade to promote use of the accent aigu (á). Either way, I’m in.
DJ Soul Slinger
Hidden in the back of every music collection is a little rave music. Okay, maybe not every one, but there are plenty of us who keep a little something stashed away. I pulled out my personal rave-orite Altern 8 recently. My five year old was not impressed. Another from my collection who is actually still going strong is DJ Soul Slinger. A native Brazilian, Carlos is an early purveyor of rave/jungle/drum’n’bass music/culture/goods here in the good ol’ US of A, and a perfect way to welcome a dear friend to 3hive on her first visit.
Built to Spill
“OH MY GOD!” (do I have to, like, pay royalties or something to Dooce for using all caps in a blog post?) I thought when I found “Joyride,” off Built to Spill’s The Normal Years, a K Records gem. (Thanks to Jared and his homemade K Recs t-shirt for the reminder to check their website.) One of my favorites from a thoroughly brilliant collection of random tracks, “Joyride” is a perfect representation of its title — exuberant, juvenile, and out of control. I’d love to put the whole album up here; IT’S THAT GOOD! (The check’s in the mail, Heather & Jon.)
Juez
Ready for this? From their bio: “Juez is a breakbeat-klezmer-jazz band of Orthodox kids from D.C., Chicago and New York.” I could get my head immediately around all those concepts with the exception of “klezmer.” Translated it means “the human being becomes the bearer of the song.” I like that. I back it. I’m pretty sure klezmer is the flavor of these already spicy, improvisational jazz joints. If you’re an aficionado, hit the comments to shed further light on the klezmer scene…
Daydream Nation
No, this ain’t the sixth album from Sonic Youth released in October 1988 getting its own entry here on 3hive, and it’s not a Sonic Youth cover band. Daydream Nation is actually a Canadian duo doing their own thing, which is a mysterious combination of Brit pop from the ’60s invasion and the ’90s revival influenced by other notable Brits like the Cure and Swervedriver, although their sound is not as “shoegazer” as they and others would lead you believe. These songs are from Bella Vendetta, their second album.