How about a hefty dose from Alias! Today we feature a broad sampling from Alias’s discography, beginning with remixes from his brand-spanking new remix collection, coincidentally titled Collected Remixes. Alias is anything but generic when it comes to producing his music. He adds so much more to his remix projects than a throwaway beat. He makes each song his own with his signature atmospherics and keyboard work—from reworking indie stalwart John Vanderslice to dropping the low end on Lali Puna’s björk-core to goblet-shattering levels.
Alias stands head and shoulders above most hip-hop producers because rather than relying on sampling Alias implements live and electronic instrumentation. He still taps the past for inspiration as evidenced by the Black Celebration era riff of “Cobblestone Waltz,” a track recorded with his brother Ehren for their collaborative instrumental album, Lillian. And don’t miss his work with Rona “Tarsier” Rapadas. It’s anything but a sidenote. His colorful production gently lifts her already lush and soaring vocals. There’s plenty here to digest, but just a few songs in you’ll hear how Alias, like several of his fellow Bay Area beat-heads, has single-handedly broadened the boundaries of hip-hop, revealing its rich possibilities.
Chicago-born, Oakland-based beatmaker extraordinaire, Jeffrey Logan, aka Jel, is “a man whose heart is equally divided between the clouds and the streets.” Jel made his way out West with his trusty drum machine, the SP1200, and forged an entire sound and label — Anticon — with his driving passion and skills. And just so you know, he’s a master at the SP1200. He was one of the very first to play the drum machine live as an instrument, with little or no sequencing. Judging by these two tracks, Jel’s forthcoming album, Soft Money, promises to be a monster. Not since the city of Bristol unleashed a little band called Massive Attack has any collective threatened to take hip hop to yet another level. Another FYI: Jel’s also a member of