Thundercat

Thundercat | Drunk | 3hive.com

Thundercat | Drunk | 3hive.com
Stephen Bruner a/k/a Thundercat is a musical omnivore. In interviews he’ll cite Manhattan Transfer, Mahavishnu Orchestra, John Coltrane, and video game music as influences – all in the same sentence. He’s played with everyone from Snoop Dogg to Suicidal Tendencies. And he’s already appeared on as many albums as he years old (33!). Such a broad palette can be a blessing or a curse. Fortunately, Thundercat has managed to channel his wandering mind and expansive talent into another uniquely cohesive – and funky – package with his latest, Drunk.

Whether the topic matter is mortality, race relations, or how freakin’ cool Tokyo or his pet cat is, Thundercat brings a levity and sincerity to the party that would be hard for most people to balance. If I told you he accomplishes this with a 6-string bass and entrancing falsetto as his primary weapons, it’d be even harder to believe.

Drunk is tight, so tight, almost efficient: 22 joints and not one clocks over 4 minutes long. In contrast to Thundercat’s live shows, where songs gets blown out into transcendent (sometimes frenetic) jam sessions, each studio track packs a concentrated punch. “Bus in the Streets” argues for unplugging from technology over a snappy Steely Dan-esque synth line. “Walk on By” is a yearning R&B burner with Kendrick Lamar guesting with a potent dose of street poetry. “Them Changes” – a bringback from his 2015 EP – showcases the funkiest bassline this side of Larry Graham. Then there’s the two Big Singles: “Show You the Way” featuring Michael McDonald and Kenny Loggins, with no irony whatsoever, and “Friend Zone” which lit the place up when I saw Thundercat perform it a couple weeks back and has already reserved a spot on most Best of 2017 lists.

Speaking of his live show, it was a melting pot of jazzbos, hip-hop heads, skaters, Pitchfork disciples, and drum circle types – a testament to Thundercat’s broad appeal. You can love him for his virtuosity, his groove, his unabashed nerdiness… or maybe you’ll find some other reason. I’ll leave that to you and Thundercat.

Top Albums and Songs of 2015 (Sam List)

Inspired by Todd and a really great year for music, I’m coming out of hibernation with my tops of 2015…

Top Albums

Jamie xx In Colour (Young Turks)
I figured this collection of dancefloor etudes wouldn’t hold up to repeat listens but here I am, on the last day of the year, still unable to shake the hooks from my head.

Donnie Trumpet & the Social Experiment Surf (self-released)
A remarkably eclectic and powerful album. The fact you don’t see any of the guest stars credited in song titles tells you everything you need to know about how this “experiment” fared.

Protomartyr The Agent Intellect (Hardly Art)
Riveting post-punk from Detroit; kinda like Interpol without the pretense.

Young Guv Ripe 4 Luv (Slumberland)
Ben Cook set out to satirize bands like Cheap Trick, Big Star, Marshall Crenshaw, etc. only to end up creating a completely epic power pop album of his own.

Jose Gonzalez Vestiges and Claws (Mute)
I respect Jose’s absolute commitment to the whispery folk formula that made him famous, especially when it produces a gorgeous album like this one.

Sufjan Stevens Carrie & Lowell (Asthmatic Kitty)
Like Jose, Sufjan keeps doing his thing and it keeps getting better.

Thundercat The Beyond/Where the Giants Roam (Brainfeeder)
Yearning, confident, proggy, funky – like nothing else out there.

Colleen Captain of None (Thrill Jockey)
An art album that plays like a pop record.

Kamasi Washington The Epic (Brainfeeder)
I may be the only so-called music snob who thought Kendrick Lamar’s To Pimp a Butterfly was just okay (or is that just me being extra snobby?) – but if the Kendrick Lamar phenomenon means former studio musicians like Kamasi see more sunshine, I’m all about it.

Beirut No No No (4AD)
Even a B+ record from Beirut will make my top 10.

Top Songs

Young Fathers “Shame” (Big Dada)
Nosaj Thing feat Chance the Rapper “Cold Stares” (Innovative Leisure/Timetable)
Baio “Sister of Pearl” (Glassnote)
The Arcs “Stay In My Corner” (Nonesuch)
Unknown Mortal Orchestra “Can’t Keep Checking My Phone” (Jajaguwar)
Lonelady “Groove It Out” (Warp)
Bicep “Just” (K7)
Swervedriver “Last Rites” (Cobraside)
Spectres “Where Flies Sleep” (Sonic Cathedral)
Beliefs “Tidal Wave” (Hand Drawn Dracula)
Low “What Part of Me” (Sub Pop)
Helen “Motorcycle” (kranky)
Four Tet “Morning Side” (Text)
William Alexander “Strangest Things” (Yellow K)
Open Mike Eagle feat MC Paul Barman & Milo “Trickeration” (Mello Music)