Really, this whole music thing is pretty simple. Some people who like to play music get together, make music they like, other people who like music buy it, usually if they like it. Rogue Wave, they’re four guys who like to play music, they keep it simple, and that simple music produces some catchy, melodic, and thoughtful songs. “10:1” brings to mind Radio Dept‘s “Liebling” and Viva L’American Death Ray Music’s “SAGGSA” (the first song here).
Wolf Parade
If you haven’t been already, brace yourself to get slammed with all things Wolf Parade at least through the end of the year. It’s all the rage with the cool kids, and they’re wrapping up a tour with The Arcade Fire this week, so their hip factor’s inching way up. Don’t believe a word of it until you hear it for yourself, at which point you very well may find yourself high-stepping proudly, baton in hand, leading Wolf Parade down your street. Hit the comments and let your fellow 3hive readers know where you stand…
The Constantines
Guess I could have waited until the new Constantines album comes out in October to post these guys, but I’m putting them up today as “the band that played twice within an hour of my house in the month of July and I missed them both times.” Ah well… In the month of July, my daughter took her first trip to NYC and went #2 on the potty for the first time; Sam and I used power tools in his backyard in July; Jon aged gracefully into his next decade in July; Clay recovered from daughter #3, and so on. Catching live the intense art punk of The Constantines would have been a great addition to this list, but, come to think of it, I actually wouldn’t mind a little down time.
Love As Laughter
Sam Jayne was the singer/guitarist of Lync. I’m not ashamed to tell you that I still have a special place in my heart for Lync. But this is not about Lync; it’s about the progression (or perhaps, regression, depending on your point of view) of Sam Jayne from the northwest indie rock of Lync and the early days of Love As Laughter aka LAL to the full-on rock ‘n’ roll assault of “Temptation Island” from LAL’s last LP Sea to Shining Sea. So what will LAL’s rumored 2005 album on Sub Pop bring? Listen in the order below and then start placing your bets.
Low
Over seven albums, Low have collected praise and fans from all over the world. Their sound has grown and expanded, from the gentle stillness of I Could Live in Hope to the strong melodies and warm harmonies of Things We Lost in the Fire, and from the pure genius of their cover of Joy Division’s “Transmission” to proving they can make some noise with best of ’em on “Monkey” from their Subpop debut, The Great Destroyer. Simply one of the best bands out there. Enjoy.
Note: Their wonderful ode to the Misfits that was previously featured on 3hive is no longer available from their revamped website. It’s time to start a letter writing campaign to get it back!
Jennifer Gentle
Don’t let the name fool you, Jennifer Gentle is a couple of Italian cats. One used to be an ice cream man in Berlin. Among their choice of instruments is a deflating balloon (“I Do Dream You”). Sound weird enough yet? It’s all true. Brace yourself for fine, imported psychedelia and quirky, contemporary pop recorded like it’s 1967.
Damon and Naomi
This one’s for Clay, as a bookend to his Dean and Britta post and a celebration/lament of the amount of time we both spent listening to Galaxie 500. While Dean Wareham was off with Luna, et. al., the rhythm section — Damon Krukowski and Naomi Yang — made some beautiful music of their own. Subtle, soaring, and consistently artful, D & N’s sixth album comes out in February on their own 20/20/20 record label. “I Dreamed of Caucasus” is off 2002’s Song to the Siren.
Kelley Stoltz
I’m a sucker for bedroom recordings and Kelley Stoltz has certainly raised my lo-fi expectations. Unable to settle with any one sound, Stoltz wanders from spaced-out, folk songs, to downtempo Nick Drake moments, to Theremin-tinged psychedelia. Add to this his solo interpretations of classic Echo & The Bunnymen songs and it’s as plain as the nose on your face that you’ve been missing something. This may be your first taste of Kelley Stoltz, but I’d wager it ain’t your last.
Postal Service
Now that our beloved Postal Service appear destined to become a Harvard Business School case study, Sub Pop is scrambling to keep up with demand. Pending some new original material, that means releasing Give Up on vinyl with a bonus (if you don’t already own the CD singles, that is) 12-inch of B-side covers, like Iron & Wine’s tender rendition of “Such Great Heights,” and remixes, wherein dance music for bookworms gets transformed into, well, dance music. Included here is an example of the latter, and a couple for the uninitiated…what few of you are left.
Rosie Thomas
I was recently told I don’t represent my ‘hood enough in my music selections, so here’s a little something unexpected from the 313 (by way of Seattle)…
Rosie Thomas recorded her last record in Detroit’s oldest church, a telling indication of her timeless approach to music and storytelling. Thomas pits her confident, downhome pipes against simple arrangements and open, innocent lyrics, bringing in members of her musician family to help out along the way. So perfect and cute, without the annoying aftertaste.