Chicago trio FACS are barely a year removed from releasing their incredible Void Moments and are already back with another brooding masterpiece titled Present Tense.
From its opening track “XOUT” to the final “Mirrored”, Present Tense bludgeons the ear drums with pounding drums, shrieking guitars and chugging bass lines. This album is meant to be played loud. Check out second single “General Public” (below), it’s a great example of said bludgeoning.
FACS has quickly become one of my favorite bands and Present Tense doesn’t disappoint; it’s their strongest release yet and a sure contender for album of the year. Present Tense is out now via Trouble In Mind Records. We will also have it available at the 3hive Record Lounge. DO NOT SLEEP ON THIS ALBUM.
Nightshift didn’t let the pandemic stop them from creating their sophomore LP Zöe. In fact the Glasgow band took full advantage of quarantine and separation to create their most ambitious music to date.
The common denominator throughout Zöe is the pounding drums and driving bass lines which move the tracks along and blend nicely with the use of clarinet, and the jangly guitar work. I think “Power Cut” (below) is the best example of this.
Zöe is a strong album that only gets stronger with every listen. You can snag it now via Trouble In Mind and I highly recommend that you do. Enjoy.
Chicago trio FACS are back with their third release in three years (2 LPs and 1 EP) entitled Void Moments. It’s dark and menacing and could be the soundtrack to one of those nightmares where you are endlessly chased by some unseen being with certain doom inevitable. I can’t stop listening to it. Check out “Teenage Hive” (below) for a sample.
Parisian quintet En Attendant Ana are back with their sophomore release Juillet. It’s jam-packed with all kinds of bouncy indie pop that’s sure to cure any winter blues. Check out “Do You Understand” below for an example.
New York quartet Sunwatchers bring their A-game on their newest LP “Illegal Moves” (out now via Trouble In Mind). Their brand of jazz-psych meets noise-rock swirls and hypnotizes and just before you’re lost in their psychedelic haze they punch you right in the mouth. Give “Beautiful Crystals” and “Greeneyed Pigmen (Get The Blade)” a spin below to see what I mean.
Olden Yolk, I have done you wrong. Your debut, self-titled, album has been my favorite album of 2018 since it landed on my front porch back in February. I started this post (back in February) to tell the world all about your psychedelic, sometimes shoegazey, all the time rock ‘n’ roll goodness, but I could not find the words to describe the greatness of your 10 song masterpiece. I apologize.
Hello World, if you have not acquainted yourself with New York-based Olden Yolk, now is the time to do it. Their debut album is a solid slab of psych-rock/psych-folk/psych-pop, mingled with just enough fuzz and gaze to make it stand out above all the rest. Give “Vital Sign” and “Takes One To Know One” for a spin below to see what I mean. Olden Yolk is available now via Trouble In Mind Records. I highly, highly recommend it.
Parisian 5 piece En Attendant Ana bring it strong on their debut album Lost And Found. Chock full of killer hooks, tasty vocal harmonies and just enough trumpet to make any fan of properly placed trumpet take notice – Lost And Foundis indie rock gold.
Take a listen to standout track “This Could Be” below for a sample. Lost And Found is out now and available via Trouble In Mind Records. Enjoy.
San Francisco’s The Love-Birds play an infectious brand of melodic power-pop on their debut long player In The Lover’s Corner. It’s full of jangly guitars, killer vocal harmonies and everything else you’ve come to expect from a solid pop record. Listen to the pogo-inducing standout “Angela” below for a taste.
New Zealand’s Salad Boys have returned with their newest long player This is Glue. Like previous Salad Boys’ releases, This Is Glue blurs the lines between in-your-face rock and roll and laid-back jangle-pop. Give opening tracks “Blown Up” and “Hatred” (below) a spin to see what I mean.